by tsrasia | Aug 1, 2018 | invisibleflaneuse
3d-printed dresses. BEEING HUMAN. Image by Elaine Chiew Ever wondered how technology such as virtual reality might interface with or enhance a museum-going experience? Would it add value in terms of multiplicity of information...
by tsrasia | Jul 25, 2018 | invisibleflaneuse
Exhibition View: Crashing. Lee Bul, Hayward Gallery (2018)If Afrofuturism were to have a companion genre within Asian artists, would it be called Asian futurism and what kind of works would be envisioned? Crashing, the title of Lee Bul’s solo retrospective at the...
by tsrasia | Jun 5, 2018 | invisibleflaneuse
Image 1. See Like A Heretic, 2018. Crushed stained glass, fresnet lens, nuts, bolts, frame. 509 x 509 x 336 cm. That hushed hallowed feeling one gets looking up at the nave or chancel of a church and seeing a biblical scene played out on stained glass?...
by tsrasia | May 15, 2018 | invisibleflaneuse
Chinese Towkee. Albumen print. G.R. Lambert & Co. Singapore, 1900s. Photo Elaine ChiewThe exhibition Amek Gambar: Peranakans and Photography at Singapore’s Peranakan Museum (from May 5 to Feb 3 2019) is a rare glimpse into the very first and early days of...
by tsrasia | May 8, 2018 | invisibleflaneuse
Dapunta Hyang: Transmission of Knowledge. Installation, 2018. Photo Elaine ChiewZai Kuning’s Dapunta Hyang: Transmission of Knowledge (showing at TheatreWorks Singapore from 12 April to 13 May 2018) is a 17-meter-long 4-meter-high suspended skeleton of a...
