by tsrasia | Sep 2, 2018 | invisibleflaneuse
Cover Photo: Sopheap Pich, Delta (2007). Rattan and wire. 341 x 478 x 70 cm. Trees of Life – Knowledge in Material, the current exhibition at NTU Centre for Contemporary Art Singapore (NTU CCA Singapore) (21 July – 30 September 2018), is an exploration into...
by tsrasia | Aug 22, 2018 | invisibleflaneuse
My Garden, 2018. Aluminium frame, glass, liquid circulation system, carpet. Dimensions variable. Systems, the title of Lin Tianmiao’s first solo exhibition in Shanghai curated by Alexandra Munroe, held at the beautiful Rockbund Museum, is an exemplar of a...
by tsrasia | Aug 11, 2018 | invisibleflaneuse
Cover photo: Beat Takeshi Kitano, The Kitano Sewing Machine ‘Hideyoshi’, 2009. Cardboard, cloth, metal, paint, and polystyrene. 320 x 380 x 240 cm. Commission for the exhibition Beat Takeshi Kitano, Gosse de painter, 2010. Acquisition 2013.Decidedly...
by tsrasia | Aug 1, 2018 | invisibleflaneuse
3d-printed dresses. BEEING HUMAN. Image by Elaine Chiew Ever wondered how technology such as virtual reality might interface with or enhance a museum-going experience? Would it add value in terms of multiplicity of information...
by tsrasia | Jul 25, 2018 | invisibleflaneuse
Exhibition View: Crashing. Lee Bul, Hayward Gallery (2018)If Afrofuturism were to have a companion genre within Asian artists, would it be called Asian futurism and what kind of works would be envisioned? Crashing, the title of Lee Bul’s solo retrospective at the...
by tsrasia | Jun 5, 2018 | invisibleflaneuse
Image 1. See Like A Heretic, 2018. Crushed stained glass, fresnet lens, nuts, bolts, frame. 509 x 509 x 336 cm. That hushed hallowed feeling one gets looking up at the nave or chancel of a church and seeing a biblical scene played out on stained glass?...
